Hi there sexy people.
I thought it’d be a time for a brief update. I know we were a bit silent during Cannes, I was hoping to push out daily Director’s Diaries, but the rush was unbelievable out there, and internet connection was so annoying that no matter what I did, I couldn’t update episodes. But now that I’m back in Finland, here’s a new one, but no more from boring Cannes – really, what’s there to see – but from the work place of the real men - Energia Offices, Tampere. I love visiting this joint. It may not look like much, but when you enter and walk through the main hallway, everywhere around you small bits and pieces of the movie are coming together and a lot of extremely focused faces working on programs I have no idea what they do… It has a very specific vibe. So it’s good to be back in Finland.
Coming up in the following months: Laibach has just started to work on the music for Iron Sky. I’m excited to see how that process goes, and will be visiting Slovenia next month to get the first feel and vibe of the things to come. Who is Laibach, some of you may ask? Well, let me tell you – Laibach is a legendary Slovenian band that has done a lot of very interesting music ever since 80′s, and they will be doing the score for Iron Sky, with Ben Watkins – also known as the man behind Juno Reactor. So we are in great… no, awesome hands, I might say so.
This is Laibach:
On another front, we’ve finished the first round of editing of the film. There’s a lot to be done, and that’s what Energia is doing now – creating the CGI, filling those black screens and creating backgrounds for the green ones. It takes an office full of really devoted artists to accomplish this, and by devotion I mean that some folk even sleep here at Energia office when things get really rough and deadlines are creeping in.
Cannes went very very very well. We had some very interesting discussions regarding the release of the film, and our sales company Stealth was working hard getting the film out there to respond to the Demand for Iron Sky. Also Udo Kier and Julia Dietze came by our office, and it’s always nice to see them. One could listen to Udo’s stories for hours, and Julia – being a force of nature more than a human being – always brightens the day. It was also interesting to see how strong was Cannes’ reaction to Lars von Trier‘s not-so-good-try-at-irony that fell very much flat in the press conference. Udo was – being an important actor and also playing a part in Melancholia – interviewed regarding Lars’ Nazi talks, and he remembered to mention Iron Sky quite prominently in the talks. So some free press for us :)
I’ve been sitting here at Energia for the last 3 days. We’ve been going through the film shot-by-shot, determining in great detail on what kind of special effects we will add. Whether it’s just something small for background, or a big full-cgi shot. Now that the film has been edited (at least for now), it’s easier to see what we need. And at the same time, easy to see what we could lose.
We’ll be working hard on the film, and I’ll be reporting back to you as soon as possible!
Stay sexy, lunatics!